Topography
Historical background
Particularly interesting are the schematic renderings of many temples. The deities are shown in their own shrines along with the typical natural features of the site, enabling thus the viewer to identify them.
Date: Paintings; late 18th early 19th century
Description: Ravana sends Indrajit to fight against Hanuman.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, east bay
Date: Paintings; late 18th early 19th century
Description: Top row: Hanuman devastates Ravana’s garden; Bottom row, from right: Sita in Ravana’s garden; The rakshasis report the distrurbance to Ravana.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, east bay
Date: Paintings; late 18th early 19th century
Description: Top row: Hanuman appears before Sita held captive in Ravana’s ashoka vana. He gives Rama’s signet ring to Sita. Bottom row, almost totally disppeared: Hanuman devastates Ravana’s garden.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, east bay
Date: Paintings; late 18th early 19th century
Description: Top row: Hanuman, perched on a tree, sees Sita in the ashoka vana guarded by rakshasis. Bottom row: Sita tries to hang herself, when Hanuman appears before her.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, east bay
Date: Paintings; late 18th early 19th century
Description: From left: Hanuman rests on Mount Mainaka; He arrives in Lanka and fights against Lankini; He enters Ravana’s palace and enters his harem searching Sita.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, east bay
Date: Paintings; late 18th early 19th century
Description: Fragments. On his flight to Lanka Hanuman meets the rakshasis Surasa and Simhika.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, east bay
Date: Paintings; late 18th early 19th century
Description: Top row, from right (fragments): Rama and Lakshmana on Malyavanta Hill,; Lakshmana visits Sugriva in Kishkindha, and reminds him of the terms of the alliance pact; Bottom row: The alliance with Jambavan (?).
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, east bay
Date: Paintings; late 18th early 19th century
Description: Fragments. Barely recognisable on the bottom row is Vali’s cremation
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple
Positioning: Entrance mandapa, ceiling, eastern bay
Date: Paintings; late 18th early 19th century
Description: Top row: Rama, Lakshmana and the vanaras in a forest. Bottom, from right: Rama shoots and arrow at Vali. Vali dies in the arms of his wife, Tara.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, eastern bay
Date: Paintings; late 18th early 19th century
Description: Top row: Rama fells the seven trees. Bottom: The duel between Vali and Sugriva; Sugriva retreats.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, eastern bay
Date: Paintings; late 18th early 19th century
Description: Fom top to bottom 1) Hanuman, as a Brahmin, approaches Rama and Lakshmana and introduces them to Sugriva. 2) The alliance between Rama and Sugriva 3) Damaged.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa, ceiling, eastern bay
Date: Paintings; late 18th early 19th century
Description: Top row: Hanuman, in the guise of a Brahmin, meets Rama and Lakshmana, and carries them to Sugriva. Bottom row: The alliance between Rama and Sugriva.
Location: Tamil Nadu Temple;Tirugokarneshvara Brihadambal Temple;Pudukottai
Positioning: Entrance mandapa,ceiling, eastern bay
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